tag:blogger.com,1999:blog-6141014462966058399.post1426722878515033992..comments2023-06-14T05:36:15.460-04:00Comments on The Skeins: Framed (1947) with Glenn Ford & Janis CarterUnknownnoreply@blogger.comBlogger2125tag:blogger.com,1999:blog-6141014462966058399.post-50695656822954064592009-08-28T15:08:41.230-04:002009-08-28T15:08:41.230-04:00Charlie,
Since you seem to have a connection with...Charlie, <br />Since you seem to have a connection with the <b>Film Noir Foundation</b>, could you please tell me if that organization is responsible for the beautiful condition of the print that was broadcast on TCM? Did you have the film restored for usage in the <b>Noir City</b> festivals? <br /><br />While I found the script for <b>Framed</b> very elegantly plotted and the dialogue was exceptional--even when reminiscent of other noirs--others have mentioned to me that they find the ending a bit rushed. I liked the off hand manner of the ending, particularly as Ford walks away from the situation. My only quibble might be the disappearance of both <b>Edgar Buchanan</b> and the extremely truncated role played by <b>Karen Morley</b>. Was the screenplay or the movie edited after their roles had been more fully filmed?<br /><br />Thanks for taking the time to post your remarks.Moira Finniehttps://www.blogger.com/profile/12626493736940699514noreply@blogger.comtag:blogger.com,1999:blog-6141014462966058399.post-24155383536965171732009-08-27T17:35:09.532-04:002009-08-27T17:35:09.532-04:00We've screened this at several different NOIR ...We've screened this at several different NOIR CITY events and it never disappoints. Aside Ford, Carter and Cuffey, kudos are due for Ben Maddow, (INTRUDER IN THE DUST, THE ASPHALT JUNGLE and just about every picture that was credited to Phil Yordan in the 1950s) for a beautifully lean and literate screenplay.Unknownhttps://www.blogger.com/profile/08246328196627945952noreply@blogger.com